Beach House Bloom Full Album 21
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Double vinyl set with cd version and now back in print. 'Bloom' is the fourth full-length album by baltimore-based Beach House. It builds on 2010s 'Teen Dream' to further develop their distinctive sound yet stands apart as a new piece of work. 'Bloom' is meant to be experienced as an album, a singular, unified vision of the world. though not stripped down, the many layers of 'bloom' are uncomplicated and meticulously constructed to ensure there is no waste. 'Bloom' was recorded in 2011 at Sonic Ranch studios in Tornillo, tx and mixed at electric lady in nyc. the band co-produced the record with chris coady.
It's easy for artists in any medium to be seduced into believing their latest project must be more elaborate than what came before. On Depression Cherry, however, Beach House reject the notion that bigger is inherently better. Where Bloom took their crystalline dream pop to lavish heights, these songs revisit the simpler approach of Beach House and Devotion. While it's a bold choice, the results are delicate: even by Alex Scally and Victoria Legrand's standards, these songs are remarkably poignant and insular. Throughout the album, the duo conjures a feeling of intimacy surrounded by vastness, with \"Space Song\"'s arpeggiated keyboards suggesting stars shooting through an endless sky. Beach House's return to the unabashedly artificial sound of their early albums is a potent reminder of how well they contrast with Legrand's lush, empathetic vocals; on \"Bluebird,\" she sings \"I would not ever try to capture you\" over a busy rhythm that calls attention to how clunky and mechanical it is. Her ability to sound at once comforting and heartbreaking on the bookends \"Levitation\" and \"Days of Candy\" speaks to the sensuous nature of Depression Cherry's, and Beach House's, melancholy; it's like a flavor or color that can be savored, even in its simplest incarnations. Scally and Legrand reintroduce some of Bloom's fullness on \"PPP\" -- which almost sounds like it was produced by Phil Spector compared to the rest of the album -- and \"Sparks,\" which with its dense keyboards and cooing vocal harmonies could be a collaboration between Stereolab and My Bloody Valentine. Elsewhere, the influence of the duo's more recent work is more subtle, revealing itself in the sophisticated minimalism of songs such as \"10:37.\" While it may not be as immediately inviting as Bloom or Teen Dream, Depression Cherry is more than just an admirable exercise in challenging conventional notions of success. It's a grower that demands and rewards close listening -- especially under headphones, where it unfolds like a spell cast just for the listener.
Fire and smoke are, tragically, forces our northerly siblings of California have had to contend with lately, and hopefully that mellow beachside bar may be balsam to any emotional scaldings the band or its affiliates may have suffered of late. By the looks of it, though, like on their adorable album-funding cooking show where they dice up a compact disc, Van Goat can handle most circumstances with a laugh and a grin. Should you prefer a sultrier, swampier style of soundscape, then Van Goat will be your best choice for a Saturday beer-and-concert pairing. The band will be sure to kick up a great time. 153554b96e
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